Night Photography, 3-Night Workshop
Instructors: Aaron Priest & Vincent Lawrence
Up to 6 participants (only 2 spots remaining!)
June 22-25, 2017
Capture and develop breathtaking images of the Milky Way over Acadia National Park with experienced photographers and instructors Aaron Priest and Vincent Lawrence. We’ll enjoy pristine views of the night sky--some of the darkest skies on the East Coast--as we learn to photograph the stars. The developing of the images is equally important to the shooting; this workshop will have a major focus on processing and teach the best ways to get your images to really shine.
This comprehensive workshop will feature at least 9 hours of shooting (weather dependent) and 9 hours of post-processing.
Workshop Schedule (weather dependent):
June 22nd: Plan to arrive anytime after lunch and be ready for an intro class session 2pm – 6pm. We’ll head out shooting at 10pm – 2am.
June 23rd: Get a good sleep and be ready to dive into post-processing from 2pm – 6pm. Once again shooting from 10pm – 2am.
June 24th: Post-processing 2pm – 6pm, shooting 10pm – 2am.
June 25th: Wrap-up of post-processing in the morning.
• Camera settings for capturing the stars and the landscape
• Planning dates, times, and movement of the night sky
• Post processing the Milky Way with Lightroom and Photoshop
• Advanced masking and compositing of images in Photoshop
• How to shoot star trails
Anytime technology is pushed to its limits–in this case the minimal light of the night sky–the importance of quality equipment becomes obvious. You should have a camera that performs well at ISO 3200 or higher, full frame is preferable (see list below). You will likely need a spare battery for your camera and intervalometer, as long exposures at night quickly eat up battery power. The other basic gear you’ll need is a sturdy tripod, remote shutter release (wireless or cabled), and a fast, wide lens. f/2.8 or larger aperture is preferred, and 14-16mm range is ideal for sharp photos of the Milky Way. 24mm and 35mm f/1.4 primes make great secondary lenses for more detailed shots.
Nikon: D600, D610, D700, D750, D800, D810, D810A, Df, D3s, D4, D4s, or D5. If renting, the D750 is a particularly good value. Some crop sensor cameras would be suitable for a secondary camera such as the D7100 or D7200, but rent a full frame camera if you don't have one.
Canon: 5D Mark II, 5D Mark III, 5D Mark IV, 6D, or 1Dx. If renting, the 6D is a particularly good value. A crop sensor 7D or 70D could be used as a secondary camera in a pinch, but rent a full frame camera if you don't have one.
Sony: a7R, a7S, a7R II, a7S II
Several Pentax, Fuji, and mirrorless cameras are also suitable. Contact us with your list of equipment if you'd like advice.
Nikon: 14-24mm f/2.8 (exceptional)
Canon: 16-35mm f/2.8 II or III (3rd gen is much improved)
Rokinon: 14mm f/2.8, 24mm f/1.4 (very good), 35mm f/1.4
Tamron: 15-30mm f/2.8 (very good)
Sigma: 35mm f/1.4 ART (very good)
For crop sensor cameras: Rokinon 10mm f/2.8, Tokina 11-16mm f/2.8 II, or Tokina 11-20mm f/2.8
Be sure to bring your own laptop with required software. We will be teaching with Adobe Creative Cloud and the latest versions of Photoshop and Lightroom. Bring an external drive to backup your images on.